Queen of Fashion: What Marie Antoinette Wore to the Revolution

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Queen of Fashion: What Marie Antoinette Wore to the Revolution

Queen of Fashion: What Marie Antoinette Wore to the Revolution

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The national Platinum Jubilee celebrations set for June offer the perfect opportunity for the nation’s longest-reigning monarch to debut platinum-influenced pieces or jewellery, channelling the historic occasion through her fashion. In her final decade, Elizabeth II remained closer to home. US photographer Annie Leibovitz photographed the Queen on two occasions. The spectacular portraits of the first sitting presented a monarch of Hollywood dreams. The second, by contrast, revealed the Queen off-duty in her favourite tartan kilts and tailored tweeds, surrounded by family and dogs at Windsor Castle. It was a pertinent reminder that behind the carefully stage-managed façade was a woman, wife and mother most at home in the countryside. But she learns to ride a horse and is soon following the chase with her doting grandpapa, she’s a cutsie too, offering to embroider him a waistcoat, though it might take a couple of years. Du Barry the kings mistress, raised from prostitution to be the wearer of the most expensive cloth and jewels in an enemy of the archduchess riding out with her grandpapa, rejecting her corset! This captivating, heavily annotated scholarly work offers deep insight into the role of fashion in the queen's life, and which, combined with all the politics, propaganda and lies, contributed to her increased unpopularity and demise. While fashion as a mode of expression will always be part of our lives, to say that its stakes have since greatly changed would be an understatement. As Weber states: "The politics of costume held her—far more than any of history's subsequent fashion queens—quite firmly by the throat." There were masked balls, she donned a domino, into her company came notorious court seducers and in the company she kept in her small world was not of the court, spies were routed.

The thrifty Queen re-wears and adapts her clothes, with the average lifespan of an outfit running to 25 years. The start of her reign saw classic couture creations of silk and tulle evening gowns by Sir Norman Hartnell and cinch-waisted dresses by Sir Hardy Amies. While this book is not perfect, it points out that clothing is a method of communication which greatly affects human interaction. Even today, in a less charged atmosphere than the French court, what we choose to wear (or not wear) says a lot about our social, economic, political and religious affiliations.How far the barb had entered peoples hearts showed in the ruthless dispatch of this effete class , it became know as the Terror, days of terrible bloodshed. I feel that a lot of the book was a stretch--the brand-new Dauphine notices a tapestry of Jason and Medea, calls it a "bad omen" for a wedding, and we assume that it plants in her mind the idea to manipulate fashion for power? Yeah, probably not. She takes her place in this wonderland of pouf creation and extravagance that will bring down the Austrian daughter of the Caesar's. This was an exceptional biography of Marie Antoinette with fashion as a decoding device akin to an anthropological device used in ethnography. More than any other treatment of Marie Antoinette this thoroughly researched work really set her in an historic cultural framework. Moreover, there was no glossing over the less attractive behaviors and attitudes of our heroine. Instead they are presented as all too human foibles exacerbated by the stultifying and constricted world of the French court amid socio-political crisis and change.

Rose Bertin a milliner, makes her way to to the court of the new Dauphine. She is a pretty woman who knows how ‘ a well shaped ankle turned out nicely at the fireplace, where she sits will be to her advantage, but she is also a doughty heart who fights for the widows thrown into into the Bastille by pleading her case with the Dauphine. Rosey is in demand with the old boys too, who seek to abduct her away to to their little cottage, to have their way with her but she stands up to them defiantly and lets the whole world know, she is being put upon by this married old beard, who hisses’ little viper’ at her, attempts upon her to the world. All I ever knew of Marie. Antoinette before I read this book was that she had been spoiled and that the French courts insane spending while people starved brought the monarchy down, before this book I never thought of her as a human being but her story is moving.Her spending was enormous and nobody could dissuade her from it. The poufs were also home to little creatures, vermin took up nests in them, and there were special long combs for scratching your pouf if the vermin were too lively. This book should definitely be read after one reads Antonia Fraser's "Marie Antoniette: A Journey." This is not a definitive biography, nor does it claim to be. However, it looks at the ill-fated queen in a unique and textual way- through the clothing choices she made at every juncture in her tenure as Dauphine, and later Queen of France. The pouffs roses so high on the Sillies heads, that bed attendants had to climb on bed ladders to cover the pouf and the Silly had to sleep on many pillows, the pouf wrapped in endless swaddling. The pouf with vegetables was very much the thing, the Sillies said they would never favour flowers again.

  • Fruugo ID: 258392218-563234582
  • EAN: 764486781913
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