Travelogue

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Susan Sulley said that the rejection of Secrets was "the lowest the band had been since 1992 and, after putting in so much time and effort in to an album that then failed, nearly causing them to call it a day." [31] Rechristened The Human League, the trio recruited fourth member, “director of visuals” Philip Adrian Wright, whose slide projections added a futuristic extra dimension to the League’s live shows. Virgin Records signed the group after Bob Last’s Edinburgh-based indie imprint Fast Product released two reputation-building 45s, “Being Boiled” and The Dignity Of Labour EP, yet while their Virgin debut, Reproduction, and attendant single, “Empire State Human,” were critically acclaimed, both sold slowly. Along with its amazing cover art, the interesting side to "Travelogue" is in its "acoustic" approach and pleasant experimental/cinematic touches the group kept throughout the album; "Dreams Of Leaving" is a stunning example in reconciling experimental and pop tendencies within a song, and as such would have been the perfect opener to an album. "Toyota City" is a beautiful soothing piece of night music, ideal for wandering through the quiet city streets wrapped in neon glow. A 12" single remix of " Things That Dreams Are Made Of" (originally from the Dare! album) was released in the UK in January 2008, by Hooj Choons. It peaked at No.2 on the UK Dance chart.

Manager Bob Last tried to reconcile both parties, and when that proved impossible, various options were suggested, including two new bands under a Human League sub-label. Eventually, it was agreed that Oakey would continue with the Human League name, while Ware and Marsh would form a completely new band, which became Heaven 17. Two weeks before the UK/Europe tour, the band split. [7] [ unreliable source?] The band's first single under Virgin Records was the disco influenced " I Don't Depend on You", released in July 1979 under the pseudonym " The Men". The single did not chart and had very little in common with the previous work of the Human League. It did, however, feature female vocals by guests Lisa (Liza) Strike and Katie Kissoon, sounding like the yet-to-be-formed future Human League of 1981. [12] Although the group has been retrospectively identified with the New Romantic movement of this period, [21] according to Dave Rimmer, author of New Romantics: The Look, "at the time [they] were no such thing." [22] The band themselves have also consistently and strenuously rejected the label. The Sheffield scene in which the Human League formed predated New Romanticism and took more influence from Kraftwerk. Bands in the Sheffield scene were also referred to as Futurists, [23] although Oakey himself has said: "We thought we were the punkiest band in Sheffield." [24]The only constant band member since 1977 has been lead singer and songwriter Philip Oakey. Keyboard players Martyn Ware and Ian Craig Marsh both left the band in 1980 to form Heaven 17, leaving Oakey and Adrian Wright to assemble a new line-up. The Human League then evolved into a commercially successful new pop band, [2] with the line-up comprising Oakey, Wright, vocalists Joanne Catherall and Susan Ann Sulley, bassist and keyboard player Ian Burden and guitarist and keyboard player Jo Callis. Wright, Burden and Callis all left the band by the end of the 1980s, since which time the band has essentially been a trio of Oakey, Catherall and Sulley with various sidemen. A change in management at EastWest in 1998 saw the cancellation of the band's contract once again. Afterward, the band co-headlined with Culture Club and Howard Jones on VH1's 1980s "Big Rewind" nostalgia tour [29] and made other concert and public appearances throughout 1997–2000. In 2000, the tribute album Reproductions: Songs of The Human League was released. It contains cover versions of 16 of the Human League's songs, including performances by Ladytron, Lali Puna, Momus, Future Bible Heroes, Stephin Merritt and The Aluminum Group. [48]

Human League record first album for nine years". Sheffield Telegraph. 14 January 2010 . Retrieved 30 January 2014. In November 1982, the Motown influenced electropop single " Mirror Man" reached No.2 in the UK chart, just missing another Christmas No.1, which was taken by a novelty record by Renée and Renato. [18] The Human League has influenced many electropop, other synth-pop, and mainstream performers, including Pet Shop Boys. [ citation needed] Moby and Little Boots are longtime fans of the group. [46] [47] They have been sampled and covered by various artists, including Ladytron, Utah Saints, George Michael, Robbie Williams and LCD Soundsystem. [ citation needed] The Human League are an English synth-pop [1] band formed in Sheffield in 1977. Initially an experimental electronic outfit, the group signed to Virgin Records in 1979 and later attained widespread commercial success with their third album Dare in 1981 after restructuring their lineup. The album contained four hit singles, including the UK/US number one hit " Don't You Want Me". The band received the Brit Award for Best British Breakthrough Act in 1982. Further hits followed throughout the 1980s and into the 1990s, including " Mirror Man", " (Keep Feeling) Fascination", " The Lebanon", " Human" (a second US No.1) and " Tell Me When".

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Because the imposed style had not worked, Virgin permitted the band to return to their original style and the band recorded and released their first full studio album Reproduction in August 1979. The album and the single " Empire State Human" failed to make an impact on the charts. After these flops, Virgin cancelled the band's December 1979 tour. By this time, the Human League's role as UK electronic pioneers was usurped by Gary Numan, when his single " Are 'Friends' Electric?" became a huge hit in the UK in mid-1979. [7] [ unreliable source?]